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The story focuses upon a young farmer, his wife, and a young servant-girl who maliciously causes the wife's arrest for witchcraft. The farmer brings the girl to court to admit the lie and it is here that the monstrous course of bigotry and deceit is terrifyingly depicted. The farmer, instead of saving his wife, finds himself also accused of witchcraft and ultimately condemned with a host of others

"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence."

In this gripping short play, David Mamet combines mercurial intelligence with genuinely Hitchcockian menace. The Cryptogram is a journey back into childhood and the moment of its vanishing—the moment when the sheltering world is suddenly revealed as a place full of dangers. On a night in 1959 a boy is waiting to go on a camping trip with his father. His mother wants him to go to sleep. A family friend is trying to entertain them—or perhaps distract them. Because in the dark corners of this domestic scene, there are rustlings that none of the players want to hear. And out of things as innocuous as a shattered teapot and a ripped blanket, Mamet re-creates a child terrifying discovery that the grownups are speaking in code, and that that code may never be breakable.

The play centers on Rubin Flood, who loses his salesman job. While searching for a new job, he must deal with his wife, Cora, who shuns intimacy and mistakes his joblessness for stinginess, his shy daughter who prepares for her first dance and his pre-teen son who runs to his mother instead of dealing with bullies.

This comedy traces the life of a young woman over a period of three years.

Here is a decidedly French dinner party served up in a chaotic mode that only a master of comedy could create.

Darrell and Tim, both seventeen years old, are wasting away their lives. They spend their time checking out the monkeys at the local zoo, hanging out at the mall, and smoking cigarettes in their high school parking lot. Occasionally they even attend class, and, after school, Tim reports in to his menial job at a nearby Chinese take-out joint. When the two of them clash--in a high-stakes confrontation also involving Darrell's on-again, off-again girlfriend Jenn--their battle climaxes in a horrifying act that will leave all of them scarred forever.

A striking, surreal study of the often bizarre byways that love between men and women can follow.

The Dybbuk, regarded as the classic drama of the Yiddish stage, has long frightened yet fascinated audiences throughout the world. Based on Jewish folklore, its dark implications of mysterious, other-worldly forces at work in a quaint and simple village make for gripping, suspenseful theater. To the Chassidic Jews of eastern Europe, a dybbuk was not a legend or a myth; rather it remained a constant and portentous possibility. During that age of pervasive mysticism, when rabbis became miracle workers and the sinister arts of the Kabbala were fearsomely invoked, it was never doubted that a discontented spirit from the dead could cross the barrier between the “real” and the “other” worlds to enter a living human body. The Dybbuk is a masterful play, full of deep-rooted obsessions and dramatic suspense, fascinating for the glimpse it provides of the rich, poetic, and often tragic culture of the Chassidim. In this classic translation by Henry Alsberg and Winifred Katzin, the authentic cadences of the original Yiddish are deftly preserved.

A play about a man and a woman who spend their lives running away from, and straight toward, each other.