Wednesday, 7.30pm — 10.30pm
Once payment is successfully made, your slot is confirmed unless we email you to indicate.
A reminder email will be sent nearer to the workshop date to you to prepare for the workshop.
25% Early-bird discount
30% Bundle Discount
25% for all workshops with HCAC Student Card (No Expiry)
Only one discount code can be applied per order
[Attend our Pay-As-You-Wish & Ticketed shows]
12 October 2018
Who is this workshop for?
Everyone. We welcome both actors and non-actors with an interest in performing arts / improvisation / storytelling.
This workshop is open to anyone from all backgrounds.
Minimum age for admission is 16 and above.
There will be a showcase on Friday 7 Dec 2018, 8pm to 10pm!
Take a look at how improvisation workshop is conducted, as described by Prescott in the video!
How does Improv help in my life or work?Read this Forbes article on how improvisation training help people in work and communication.
Read this article on how improvisation could just change your perspective.
About this workshop
With a focus on short form storytelling, the purpose of this course is to make the students proficient in the art of improvising short scenes as played in an improv match.
Every lesson will be structured in three parts :
- A brief introduction of the concepts that will be studied and what will be expected of the students in each exercise.
- Exercises – most of which will be systematically debriefed.
The course is essentially focused on Robert Gravel’s match format, Keith Johnstone style of improv and on understanding the codes of genres. The match format is both extremely fun and full of learnings. This format will teach the students how to avoid fear mechanisms and killing a story. The genres that will be explored include : action, drama, romantic comedy, spy movie, absurd theatre, Tennessee Williams, Shakespeare, etc.
Through the study of the match games, you will be able to understand the focus of any game and how to make it interesting for the audience. Also, the tremendous advantage of the match format is that it creates a team spirit. By the end of the course, the improvisers will be completely able to play a match in front of an audience which will be the final result of the course. Improvisers will be able to act both as a player or as the referee.
After the 8 weeks, competitive improv match team(s) will be formed, ready to take the stage.
Each semester culminates in a showcase of skills for the public.
Participants will be paid a percentage of the box office to incentivise professional work.
About the public showcase
It will be a Pay-As-You-Wish event.
Date and time to be confirmed.
Do I get a discount?
Please refer to our early bird promotions.
Improv Alumni Members wishing to perform
Please contact us at email@example.com to express your interest!
Improvisation Students Alumni
Returning students of the workshop may sign up at 50% off at $200.00 if you have the
HCAC Student Membership card. Email us for discount code!
- Exercises on theatrical space, status and creative processes from personal truth
- Short, informal lectures on Improvisation
- Character and short scene work
- Mastery of a competitive improv format
Prescott Gaylord is the former Artistic Director of the Baltimore Improv Group, and creator of ‘Unscripted – an improvised play in two acts,’ a show that has enjoyed sold out runs in Baltimore over the past 9 years. He has directed large and small scale improvised projects in several cities in the US including, ‘Skinesthesia – Body Painted Improv’, ‘The Movement’ (with modern dance troupe “The Collective”), and ‘Secrets’ (improvised storytelling and secret sharing). He has performed in and directed shows in improv festivals in Baltimore, Philadelphia, Pittsburgh, Bethlehem, Washington DC, Austin, New York, Shanghai, Manila, Singapore, and Chicago. Before escaping to Singapore, Prescott was a performing member of Lekker, and Evan the Loyal (in which he performed fully wordless sets from time to time). He now performs with Singapore troupes The Latecomers and NotOK.
- Introduction to the basics of creative scene work, spontaneous comedy and character development
- Reduce fear mechanisms
- Crafting interesting scenes and stories
- Creative collaboration and team work through improv team exercises
- Engaging an audience
- Greater awareness of the evolution and history of improv
- Form an ensemble to incubate for the international stage
- Think creatively and confidently under great pressure and limited time
- Understanding of the power of “group mind” and let go of inhibitions and commit to impulses
12 October 2018